Side-by-side specs, scores and live prices. Start over
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✓ WINNER
 53
SCORE
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 52
SCORE
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| General | ||
| Brand | Olympus | Panasonic |
| Model | PEN E-P5 | Lumix DMC-GX7 |
Released ⓘRefers to the year this camera was officially made available for sale. |
2013 | 2013 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
10/05/2013 | 01/08/2013 |
| Camera type | Mirrorless | Mirrorless |
| Camera size | 122 x 69 x 37 mm | 123 x 71 x 55 mm |
| Camera weight | 420 g | 402 g |
| Optics | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
16.1 MP050 | 16 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
4608 x 3456 | 4592 x 3448 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
CMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
13 x 17.3 | 13 x 17.3 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
Micro Four Thirds | Micro Four Thirds |
Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
9 fps045 | 5 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Micro 4/3 | Micro 4/3 |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
TruePic VI | Venus Engine |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
4:3 | 4:3 |
Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
20030200 | 20030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
256003003280000 | 256003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
10030200 | 12530200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
256003003280000 | 256003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
6044080 | 6044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
800080032000 | 800080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
350300 | 230300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
✓ | ✓ |
Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
None | Electronic |
| Viewfinder dots | N/A | 276480009900000 |
| Video | ||
Video ⓘIndicates if this camera is capable of recording video. |
✓ | ✓ |
Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
Full HD | Full HD |
Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
1920 x 1080 | 1920 x 1080 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
30 fps | 60 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
✓ | ✗ |
Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
MOV, AVI | MP4 |
| Features | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
✓ | ✓ |
External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
✓ | ✓ |
GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
✗ | ✗ |
| Screen type | LCD | LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
✓ | ✓ |
| Screen size | 3" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
10368001150001500000 | 10400001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
✗ | ✓ |
Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
✓ | ✓ |
Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
✓ | ✓ |
Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
✗ | ✗ |
| Storage & battery | ||
| Memory card | SD / SDHC / SDXC | SD / SDHC / SDXC |
| Dual memory card slots | ✗ | ✗ |
| Battery type | BLN-2 | Li-Ion, 7.2V, 1200 mAh |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
330 shots1505000 | 350 shots1505000 |
| USB charging | ✗ | ✗ |
The Olympus PEN E-P5 edges out the Panasonic Lumix DMC-GX7 with a score of 53 to 52. Both cameras are mirrorless, announced in 2013, and similarly priced at $1000 for the E-P5 and $999 for the GX7. They share some common specifications, but each has its advantages.
The E-P5 is slightly lighter, weighing 420g compared to the GX7’s 402g. It also has a more compact design, measuring 122 x 69 x 37mm, while the GX7 measures 123 x 71 x 55mm. These differences make the E-P5 more portable and convenient for on-the-go photography.
On the other hand, the GX7 has its merits, too. Though it’s a bit larger and heavier, the difference is minimal and may not impact users significantly. As the scores suggest, both cameras offer a similar level of performance and quality.
Ultimately, the choice between the Olympus PEN E-P5 and Panasonic Lumix DMC-GX7 depends on individual preferences and specific needs. While the E-P5 takes the lead in terms of portability, the GX7 holds its ground with comparable performance.
The Olympus PEN E-P5 takes a slight lead in our comparison with a score of 55/100 for optics, while the Panasonic Lumix DMC-GX7 trails closely behind at 54/100. Both cameras share several common specifications, such as 16 and 16.1 megapixels, CMOS sensor type, Micro Four Thirds sensor size, Micro 4/3 lens mount, and image stabilization.
The E-P5 outperforms the GX7 in a few key areas. It boasts a faster shooting speed of 9 frames per second compared to the GX7’s 5 frames per second, allowing for better capture of fast-moving subjects. Additionally, the E-P5’s TruePic VI processor contributes to improved image quality and processing speed over the GX7’s Venus Engine. The E-P5 also has a slightly higher DXOMARK score for the sensor at 72, compared to the GX7’s score of 70, indicating better overall image quality.
On the other hand, the Panasonic Lumix DMC-GX7 still holds its own in this comparison. Though it has a marginally lower megapixel count at 16 compared to the E-P5’s 16.1, this difference is negligible and unlikely to impact the final image quality significantly. Both cameras also feature image stabilization, ensuring steady shots in various shooting conditions.
Taking these factors into account, the Olympus PEN E-P5 comes out as the better camera in terms of optics due to its faster shooting speed, superior processor, and marginally higher sensor score. However, the Panasonic Lumix DMC-GX7 remains a viable contender, especially for those who prioritize other features or find it more suitable for their specific needs.
The Olympus PEN E-P5 emerges as the winner in video capabilities with a score of 57/100, while the Panasonic Lumix DMC-GX7 trails closely behind with a score of 56/100. Both cameras share similarities in their video specifications, such as having Full HD video resolution and maximum video dimensions of 1920 x 1080.
The Olympus PEN E-P5 outperforms the Panasonic Lumix DMC-GX7 in a few aspects. One significant advantage is the built-in time-lapse functionality, which allows the user to create stunning time-lapse videos without the need for additional software or equipment. This feature is not present in the Panasonic Lumix DMC-GX7, making the Olympus PEN E-P5 a more versatile option for videographers.
On the other hand, the Panasonic Lumix DMC-GX7 has its own strength when it comes to video capabilities. It boasts a maximum video frame rate of 60fps, which is double that of the Olympus PEN E-P5’s 30fps. This higher frame rate allows for smoother video playback and better slow-motion effects, giving the Panasonic Lumix DMC-GX7 an edge in capturing fast-moving subjects and action scenes.
Taking all these factors into account, it is clear that both cameras have their merits when it comes to video performance. The Olympus PEN E-P5 offers the convenience of built-in time-lapse functionality, making it a great choice for those who enjoy creating time-lapse videos. Meanwhile, the Panasonic Lumix DMC-GX7’s higher frame rate provides an advantage for capturing fast-paced action, making it a suitable option for videographers who prioritize smooth video playback.
The Olympus PEN E-P5 and the Panasonic Lumix DMC-GX7 both have a feature score of 57 out of 100, making it a tie in terms of their overall feature specifications. They share several common specifications, including a 3-inch screen size, touchscreen capabilities, the absence of GPS, and the presence of WIFI. However, neither camera has Bluetooth capabilities.
The Panasonic Lumix DMC-GX7 has a slight advantage in screen resolution, with 1,040,000 dots compared to the Olympus PEN E-P5’s 1,036,800 dots. This means the Lumix DMC-GX7 provides a marginally clearer and sharper display for users. Furthermore, the Lumix DMC-GX7 has a flip screen, which the Olympus PEN E-P5 lacks. This additional feature allows for more flexible shooting angles and is especially useful for capturing images from low or high angles.
On the other hand, the Olympus PEN E-P5 does not offer any significant advantages over the Panasonic Lumix DMC-GX7. Both cameras have the same feature score and share most specifications. The only difference in their features is the slightly lower screen resolution and the absence of a flip screen in the PEN E-P5.
Considering the similarities between these two cameras and their equal feature scores, it is difficult to declare a clear winner. However, the Panasonic Lumix DMC-GX7’s slightly higher screen resolution and the presence of a flip screen make it a better option for those seeking more flexibility in their photography. The Olympus PEN E-P5, while still a solid choice, does not offer any significant advantages over the Lumix DMC-GX7.
The Olympus PEN E-P5 and Panasonic Lumix DMC-GX7 share the same storage and battery score of 21/100. Both cameras have one memory card slot, accepting SD, SDHC, and SDXC cards. Neither camera offers USB charging.
The Panasonic Lumix DMC-GX7 holds a slight advantage in battery life, providing 350 shots per charge compared to the Olympus PEN E-P5’s 330 shots. The DMC-GX7 uses a Li-Ion 7.2V 1200 mAh battery, while the E-P5 uses a BLN-2 battery.
On the other hand, the Olympus PEN E-P5 does not have any distinct advantages in storage and battery over the Panasonic Lumix DMC-GX7. Both cameras perform similarly in these aspects.
Considering the storage and battery aspects, the Panasonic Lumix DMC-GX7 is a marginally better choice due to its longer battery life. However, the overall difference between the two cameras in this area is minimal, and other factors should be considered when making a final decision.
Are you still undecided about which camera is right for you? Have a look at these popular comparisons that feature the Olympus PEN E-P5 or the Panasonic Lumix DMC-GX7:
